A C Cover: God the Father, from Bible (1865), Gustave Doré (1832–1883), colored engraving, Collection Archive of Art and History, Berlin, Germany. © akg-images. Page 4: Madonna of the Rosary, Maerten de Vos (1532-1603), Rijksmuseum, Amsterdam. Page 6: The Sermon on the Mount (between 1437 and 1445), Fra Angelico (1387–1455), fresco, 80.3 x 81.5 in., Convent San Marco, Florence, Italy. © akg-images. Page 10: Nativity (Part of the Thomas Altar of the Hamburg Englishmen, c. 1426), Master Francke (active between 1424 and 1436), tempera on wood, 36.1 x 32 in., Kunsthalle, Hamburg, Germany. © akg-images. Pages 16-17: The Eternal Father, Paolo Veronese (1528–1588), oil on canvas, Hospital Tavera, Toledo, Spain. © akg-images / Joseph Martin. Page 24: Visitation (detail), Domenico Ghirlandaio (1449–1494), oil on wood, 67.3 x 65 in., Louvre Museum, Paris, France. © RMN-GP/Jean-Gilles Berizzi. Pages 32-33: Moses on Mount Sinai and the worship of the golden calf (1481–1482), Cosimo Rosselli (1439–1507), fresco, 137.8 x 225.2 in., Sistine Chapel, Vatican. © Photo Scala, Florence, Dist. RMN-GP. Page 40: The Sermon of the Beatitudes, James Tissot (1836–1902), gouache on paperboard, 9.6 x 6.3 in., Brooklyn Museum, New York, USA. © akg-images / Liszt Collection. Pages 48-49: The sower (1888), Vincent van Gogh (1853–1890), oil on canvas, 25.3 x 31.6 in., Kröller-Müller Museum, Otterlo, The Netherlands. © akg-images. Page 56: The Sacred Heart (1916), Maurice Denis (1870–1943), oil on canvas, 44.8 x 48 in., Maurice Denis Museum, Saint-Germain-en-Laye, France. © RMN-GP (musée Maurice Denis) / Benoît Touchard. Pages 62-63: The Agony in the Garden (c.1465), Giovanni Bellini (c. 1430–1516), tempera on panel, 31.8 x 50 in., National Gallery, London, UK. © Luisa Ricciarini / Bridgeman Images. Page 70: The Fall of Manna, Jacopo Robusti Tintoretto (1518–1594), oil on panel, 216.5 x 204.7 in., Scuola Grande di San Rocco, Venice, Italy. © Cameraphoto Arte Venezia / Bridgeman Images. Pages 76-77: The Last Supper, Juan de Juanes (c. 1523–1579), oil on canvas, 45.6 x 75.2 in., Museo del Prado, Madrid, Spain. © Bridgeman Images. Page 86: The Return of the Prodigal Son (1651), Guercino (1591–1666), oil on canvas, 54 x 43.7 in., Diocesan Museum, Wloclawek, Poland. © Alinari / Bridgeman Images. Pages 94-95: Martyrdom of Saint Stephen (c. 1645), Bernardo Cavallino (1616–1656), oil on canvas, 27.5 x 35.4 in., Museo del Prado, Madrid, Spain. © akg-images / Album / Oronoz. Page 100: Moses and the Brazen Serpent (detail, 1618-1620), Anthony van Dyck (1599–1641), oil on canvas, 80.7 x 92.5 in., Museo del Prado, Madrid, Spain. © Bridgeman Images. Pages 110-11: Christ tempted by Satan, Mattia Preti (1613–1699), oil on canvas, 41.3 x 52.3 in., Galleria Spada, Rome, Lazio, Italy. © Bridgeman Images. Page 116: Crucifixion (1632), Diego Rodriguez de Silva y Velazquez (1599–1660), oil on canvas, 97.6 x 66.5 in., Museo del Prado, Madrid, Spain. © Photo Josse / Bridgeman Images. Pages 122-23: Christ rising from the tomb, Gustave Doré (1832–1883), Gouache and brush and brown ink on paper, 20.2 x 34.3 in., The Metropolitan Museum of Art, New York, NY. © Photo: Public domain. Page 130: Annunication (diptych, c. 1470–1475), Flemish School, oil on wood, 24.4 x 55.1 in., Museum of Fine Arts, Dijon, France. © akg-images / Erich Lessing. Pages 134-35: The Assumption of the Virgin (c. 1475), Francesco Botticini (c. 1446–1497), tempera on wood, 90 x 148.5 in., National Gallery, London, UK. © Heritage Images / Fine Art Image / akg-images. 140 CREDITS
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