Page 90:MauriceDenis (1870–1943), Prise de voile deMiseph de Marsac (1933), oil on cardboard, 18.9 x 24.2 in., Alphonse GeorgesPoulainMuseum,Vernon, France. ©MuséeAlphonse Georges Poulain, ville de Vernon. Page 95: Georges Rouault (1871–1958), Ecce homo (1952), oil on wood, 19.7 x 17.7 in., Vatican Museums, Collection of Modern Religious Art, Italy. © Photo Scala, Florence, Dist. RMN-GP / image Scala. © Adagp, Paris, 2022. Page 99: Maurice Denis (1870–1943), Vêpres à l’Hôpital (dit parfois : Messe matinale) (c. 1890), oil on wood, 13 x 7.5 in., Vatican Museums, Collection of Modern Religious Art, Italy. © Stefano Baldini / Bridgeman Images. Page 101: GeorgeDesvallières (1861–1950), Sainte Thérèse au milieudes fleurs (1938), gouache, ink, watercolor onpaper, 15 x8.3 in., RolinMuseum, Autun, France. ©MuséeRolin, Autun. Page 102: Odilon Redon (1840–1916), Le Sacré-Cœur (1910), pastel onpaper, 23.6 x 18.3 in., OrsayMuseum, Paris. ©RMNGP / Hervé Lewandowski. Pages 108-109: Maurice Denis (1870–1943), Après la prise de voile de Miseph de Marsac (1933), oil on cardboard, 21.6 x 18.1 in., Maurice Denis Museum, Saint-Germain-en-Laye, France. © Catalogue raisonné Maurice Denis, photo Olivier Goulet. Page 111: GeorgeDesvallières (1861–1950), Aupiedde la croix, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Pages 112-113: Maurice Denis (1870–1943), Procession pascale sous les arbres (1892), oil on canvas, 22 x 31.9 in., private collection. © Bridgeman Images. Page 114: George Desvallières (1861–1950), À la conquête du monde, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 117: George Desvallières (1861–1950), “Il m’a prise sous ses ailes comme l’aigle protège ses petits,” gouache, private collection. Pages 118-119: Maurice Denis (1870–1943), La pêche miraculeuse (c. 1910), oil on canvas, 16.3 x 20.9 in., private collection. © Bridgeman Images. Page 125: GeorgeDesvallières (1861–1950), Vers leCiel (1939), intaglio engraving made by gérard Ambroselli. Page 129: Odilon Redon (1840–1916), Profil de jeune fille, pastel on paper, 19.1 x 13.4 in., private collection. © Lefevre Fine Art Ltd., London / Bridgeman Images. Page 130: Amédée Buffet (1869–1934), Sainte Thérèse au Carmel, oil on canvas, 64.6 x 21.6 in., Saint-Joseph-desCarmes Church, chapel Saint-Therese, Paris. ©Ville de Paris, COARC / Jean-Marc Moser. Page 133: Georges Rouault (1871–1958), La Sainte Face (1933), gouache, oil on paper, 35.8 x 25.6 in., Centre Pompidou, National Museumof ModernArt, Paris. ©Centre Pompidou, MNAM-CCI, Dist. RMN-GP / image Centre Pompidou, MNAM-CCI. © Adagp, Paris, 2022. Pages134-135:GustaveMoreau (1826–1898), LeChrist aujardin des oliviers (c. 1885), watercolor, graphite, 7.8 x 5.9 in., Gustave Moreau Museum, Paris. © RMN-GP / René-Gabriel Ojéda. Pages 136-137: Maurice Denis (1870–1943), Tache de soleil sur la terrasse (1890), oil on cardboard, 9.2 x 8.1 in., Orsay Museum, Paris. © Photo Josse / La Collection. Pages 138-139: Joseph Mallord William Turner (1775–1851), Shade and Darkness—The Evening of the Deluge (c. 1843), oil on canvas, 30.1 x 30.7 in., Tate Collection, London. © Tate, Londres, Dist. RMN-GP / Tate Photography. Page 142: Eugène Delacroix (1798–1863), Étude pour Jacob luttant avec l’Ange (1850–1856), graphite, 9.6 x 12.8 in., Eugène Delacroix National Museum, Paris. © RMN-GP / Hervé Lewandowski. Page 143: George Desvallières (1861–1950), “Il m’a prise par la main et j’étais très heureuse,” colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 144: George Desvallières (1861–1950), L’Ascension du poilu (1922), oil on paper, 86 x 44.4 in., Orsay Museum, Paris. © RMN-GP / Mathieu Rabeau. Pages 146-147: Maurice Denis (1870–1943), Sacré-Cœur, au ciel étoilé (c. 1925), oil on cardboard, 13.1 x 16.9 in., private collection. © Catalogue raisonné Maurice Denis. Page 153: George Desvallières (1861–1950), Croix, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 155: Georges Rouault (1871–1958), Automne, ciel doré (1948), ink, gouache, oil on paper, 5.7 x 7.5 in, Centre Pompidou, National Museumof ModernArt, Paris. ©Centre Pompidou, MNAM-CCI , Di s t . RMN-GP /Georges Meguerditchian. © Adagp, Paris, 2022. Page 161: George Desvallières (1861–1950), Tentations, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 167: Hippolyte Flandrin (1809–1864), Femme à genoux, au pied de la croix (1845), black pencil, 8.7 x 11.6 in., Louvre Museum, D.A.G., Paris. © RMN-GP / Stéphane Maréchalle. Pages 168-169: Amédée Buffet (1869–1934), Le Christ faisant pleuvoir des roses sur le corps de sainteThérèse, oil oncanvas, 12.6 x 45.3 in., Saint-Joseph-des-Carmes Church, chapel Saint-Therese, Paris. © Ville de Paris, COARC / Jean-Marc Moser. Page 170: George Desvallières (1861–1950), Sainte Thérèse veillant sur laFrance, coloredoffprint of the intaglioengraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 173: George Desvallières (1861–1950), Fusion en Jésus crucifié, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Pages 176-177: Marc Chagall (1887–1985), Le Fils prodigue (1976), oil oncanvas, 63.8 x 48 in., private collection, St Paul de Vence, France. ©Photo Scala, Florence. ©Adagp, Paris, 2022. Page 181: George Desvallières (1861–1950), L’Intercession, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 183: GeorgeDesvallières (1861–1950), LaRosemystique, gouache, watercolor and pen on paper, 9.8 x 7.9 in., private collection. © Photo: Clément Guillaume. Page 185: Maurice Denis (1870–1943), Sœur Thérèse de l’Enfant-Jésus (1918), oil on canvas, 38.2 x 25.6 in., private collection. © Catalogue raisonné Maurice Denis. Page 190: George Desvallières (1861–1950), M. Martin, sa future femme, leurs anges gardiens, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Back cover: George Desvallières (1861–1950), Hommage, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Pages 13 to 109 and pages 186-187: Photos of Thérèse. © Archives du Carmel de Lisieux. Pages 115 to 165 and pages 187-188: Photos of Thérèse. © Office Central de Lisieux. Pages 171 to 183 and page 188: Saint Thérèse of Lisieux (detail, 1917), Basilica of Saint Therese of Lisieux, Lisieux, France. © NPL - DeA Picture Library / Bridgeman Images. Despite our efforts, we have not been able to locate the copyright holders for some artworks. Those who recognize themselves are invited to contact Magnificat.
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