ART CREDITS Cover: George Desvallières (1861–1950), Vers le Ciel (1939), gouache, ink on paper, 8.7 x 7.7 in., Rolin Museum, Autun, France. © Musée Rolin, Autun. Cover sheet: Maurice Denis (1870–1943), Les Fillettes (1893, Wallpaper project), gouache, cardboard, Maurice Denis Museum, Saint-Germain-en-Laye, France. © RMN-GP / Benoît Touchard. Title page: George Desvallières (1861–1950), Croix, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 6: George Desvallières (1861-1950), Pluie de roses, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 9: MauriceDenis (1870-1943), SainteThérèsede l’EnfantJésus montant au Ciel (1939), oil on cardboard, 9.5 x 6.5 in., Rolin Museum, Autun, France. © Musée Rolin, Autun. Pages 10-11: John Henry Twachtman (1853-1902), On the Terrace (c. 1890–1900),oiloncanvas,25.2x30.1in.,Smithsonian American Art Museum, Washington, D.C.. © Bridgeman Images. Page 12: Berthe Morisot (1841-1895), Le Berceau (1872), oil on canvas, 22 x 18.1 in., Orsay Museum, Paris. © Bridgeman Images. Page15:MauriceDenis (1870-1943), L’Enfantdanslaporte (1897), oil oncardboard, 10.2x 7.8 in., PrivateCollection. ©Bridgeman Images. Page 16: MauriceDenis (1870-1943), LaCouronne (v. 1905), oil on paper mounted on cardboard, 13.8 x 10.2 in., Bayerische Staatsgemäldesammlungen, Neue Pinakothek, Munich, Germany. © BPK, Berlin, Dist. RMN-GP / image BStGS. Page 18: Pierre-Auguste Renoir (1841-1919), Coco au milieu des roses (study), oil on canvas, 11.5 x 7.2 in., private collection. © Christie’s / Artothek / La Collection. Page 20: Pierre-Auguste Renoir (1841-1919) , Tête de fillette (c. 1893), oil on canvas, 16.5 x 12.8 in., Private Collection. © Christie’s / Artothek / La Collection. Page 21: George Desvallières (1861-1950), “Je choisis tout”, colored affprint of the intaglio engraving made for Louis Chaigne's book, Thérèse Martin (1948). Page 23: Bertha Wegmann (1847-1926), Picking Flowers, oil on canvas, 14.7 x 8.3 in., Private Collection. © Christie’s / Artothek / La Collection. Page 24: George Desvallières (1861-1950), Alençon, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Page 25: Harold Gilman (1876-1919), Interior (1907), oil on canvas, 16.3 x 12.6 in., Southampton City Art Gallery, UK. © Southampton City Art Gallery / Bridgeman Images. Page 27: Giuseppe Magni (1869-1956), Adoration, oil on canvas, 27.8 x 34.7 in, private collection. © Christie’s / Bridgeman Images / All rights reserved. Pages 28-29: Walter Firle (1859-1929), A Good Book, oil on canvas, 18.5 x 26.4 in., private collection. © Christie’s / Bridgeman Images. Pages 30-31: Berthe Morisot (1841-1895), Julie et Eugène Manet (1883), oil on canvas, 23.6 x 28.7 in. , private collection. © Bridgeman Images. Page34: RobertoFerruzzi (1853-1934), PrayingLittleGirl, oil on canvas, Museumof FineArts, Sevastopol, Ukraine. ©Artothek / La Collection. Pages 36-37: GeorgeClausen (1852-1944), TwoGirlsArranging Roses (1899), oil oncanvas, 24x30 in., private collection. ©The Fine Art Society, London, UK / Bridgeman Images. Page 39: Maurice Denis (1870-1943), La Communion de Jeanne d’Arc (1909), oil on canvas, 40.3 x 43.7 in., Museum of Fine Arts, Lyon, France. © MBA, Lyon, Dist. RMN-GP / René-Gabriel Ojeda. Page 43: Pierre-Auguste Renoir (1841-1919), La Lecture (v. 1892), oil on canvas, 16.3 x 12.6 in., The Barnes Foundation, Philadelphia. © Barnes Foundation / Bridgeman Images. Page 44: Odilon Redon (1840-1916), Vierge (1916), oil on canvas, 19.8 x 27.3 in., Museum of Fine Arts, Bordeaux, France. ©Mairie de Bordeaux, musée des Beaux-Arts, photo L. Gauthier. Page 46: Amédée Buffet (1869-1934), Thérèse et la Vierge au Sourire, oil on canvas, 63.8 x 21.6 in., Saint-Joseph-desCarmes Church, chapel Saint-Therese, Paris, France. © Ville de Paris, COARC / Jean-Marc Moser. Page 49: George Clausen (1852-1944), The Daisy Wreath (1890), oil on wood, 9.2 x 6.7 in., Private Collection. © The Fine Art Society, London, UK / Bridgeman Images. Page 51: GeorgeDesvallières (1861-1950), « Plus qu’un baiser, une fusion », colored offprint of the intaglio engravingmade for Louis Chaigne’s book Thérèse Martin (1948). Page 52:MauriceDenis (1870-1943), Première communionde sainte Thérèse de Lisieux (1937), oil on canvas, 68.1 x 53.1 in., Notre-DameChurch, Verneuil-sur-Avre, France. ©Catalogue raisonné Maurice Denis. Page 55: Maurice Dhomme (1882–1975), Tabernacle of the High Altar (c. 1919), glazed terracotta, Saint-Louis Church, Vincennes, France. © Clément Guillaume / La Collection / All rights reserved. Page 56: Maurice Dhomme (1882–1975), The Chair (c. 1919, detail), glazed terracotta, Saint-Louis Church, Vincennes, France. © Clément Guillaume / La Collection / All rights reserved. Page 58: Jean-Jacques Henner (1829–1905), Madeleine pleurant (1885), oil on canvas, 10.6 x 6.7 in., Jean-Jacques Henner Museum, Paris, France. © RMN-GP / Franck Raux. Page 62: Maurice Denis (1870–1943), Le Paradis (1912), oil on cardboard, 19.7 x 29.5 in., Orsay Museum, Paris. © RMN-GP / Hervé Lewandowski. Page 65: MauriceDenis (1870–1943), LaNativité à Fourqueux (detail, c. 1895), oil oncanvas, 37.4 x 35 in., AugustinsMuseum, Toulouse, France. © Photo Josse / La Collection. Page 67: George Desvallières (1861–1950), L’Enfant Jésus, colored offprint of the intaglio engraving made for Louis Chaigne’s book Thérèse Martin (1948). Pages 70-71: Marc Chagall (1887–1985), Le Cantique des Cantiques IV (1958), oil on paper, 56.9 x 82.9 in., Marc Chagall National Museum, Nice, France. © RMN-GP (musée Marc Chagall) / Adrien Didierjean. © Adagp, Paris 2022. Pages 72-73: Claude Monet (1840–1926), La Gare SaintLazare : Arrivée d’un train (1877), oil on canvas, 32.7 x 39.9 in., Fogg Museum, Harvard Art Museums, Cambridge, MA. © Bridgeman Images. Pages 74-75: EugèneCarrière (1849–1906), AlphonseDaudet et sa fille Edmée (c. 1891), oil on canvas, 35.4 x 46 in., Orsay Museum, Paris, France. © RMN-GP / Hervé Lewandowski. Page 79: Maurice Denis (1870–1943), Saint-Pierre de Rome, soir du Vendredi saint (1928), oil on canvas mounted on cardboard, 15.7 x 11.8 in., private collection. © Catalogue raisonné Maurice Denis, photo Laurent Sully-Jaulmes. Pages 80-81:MauriceDenis (1870–1943), LeColisée (c. 1898), oil on cardboard, 8 x 13.2 in., private collection. © Bridgeman Images. Page 84: Paul Cézanne (1839–1906), Nature morte au crâne (1890-1893), oil on canvas, 21.4 x 25.7 in., The Barnes Foundation, Philadelphia, PE. © Barnes Foundation / Bridgeman Images. Page 87: George Desvallières (1861–1950), Sainte Thérèse et son père (1938), gouache, ink on paper, 7 x 4.6 in., Rolin Museum, Autun, France. © Musée Rolin, Autun. Pages 88-89: Joseph Mallord William Turner (1775–1851), The Angel Standing in the Sun (c. 1846), oil on canvas, 31 x 31 in., Tate Collection, London. © Tate, London, Dist. RMN-GP / Tate Photography. 191
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